Jeremy Wade is probably Britain’s most famous fisherman on account of his television programmes about giant fish in exotic places. Angling on TV is not of itself very interesting, which is why River Monsters and its spinoffs are a cross between those SAS training shows, in which men (and women) turn themselves into he-men via assorted deprivation and violence, and the house building progs which attempt to manufacture drama with tales of incompetence and lack of cash to finish the job. In Jeremy Wade’s case, as he boats about foreign rivers and seas, the tension comes from tales of giant fish that are reputed to swallow native children whole. Usually the fish, once captured, looks only capable of giving you a nip on the ankles. But Wade, dressed in what looks like army-surplus clobber, cultivates the air of an ex-commando and keeps up the dramatic monologue so to convince us he could very well be turned into bait himself. He’s so hunky!
Wade has already written a couple of books based on these TV shows. His latest is How to Think Like a Fish, in which he exposits how to catch big fish, a subject prompted by all the emails he’s received asking ‘How do I catch big fish, Jeremy?’ I would expect the book to be quite fluent given his TV presentations, but then again I saw him give a talk on fishing and that was surprisingly inarticulate. You might also expect the book to be filled with action, rather like the set pieces that intercut his talks to camera. It is more prosaic. It begins with a narrative from a fish, possibly a catfish, demonstrating by example that the book is about thinking like a fish, or rather reading Jeremy Wade thinking like he thinks a fish should think. Fortunately the mind-of-a-fish stage doesn’t last long and Jeremy gets on with the subject in hand, to wit, how to catch fish. This, inevitably perhaps, is an elaboration of ‘right bait in the right place at the right time.’ As pithy summations go this is very familiar and much of the rest of the book wanders around the theme with further discursions on unexceptional topics as knots. There are some moments of adventure, such as getting lost in the Amazon jungle, but these are matter-of-fact and seem less exciting than they should.
I think the problem is that Wade is not a writer. He does not have his own style of expression other than the melodramatic TV personality, and struggles to convey the colour in his situation. Without the film camera he is working in black and white. Despite his travels to fascinating places, there are only brief reflections of the local people he encounters. The most interesting parts of the book for me were his comments on the environmental damage to the Amazon but these are only in passing. Maybe I’ll find more by the time I finish the book.
