Publishing a fishing magazine is no path to riches. Anglers, though numerous, are not great readers, and what they do read is likely to be short and online — think Facebook and forums, where there is the added bonus of being able to, er, get things off your chest. The biggest printed circulation is a little over 20,000 copies, and that only for a couple of magazines, namely Trout & Salmon and Improve Your Coarse Fishing, both instructional.
The literary magazine is not quite dead. Despite short-lived examples from the past like Creel, in recent years two new additions to this small market have appeared. The latest is devoted to fly fishing, Fly Culture, now two years old. Six years ago Fallon’s Angler appeared, an all-round magazine that covers all the branches of angling. Unfortunately the inception of Fallon’s coincided with (or possibly brought about) the demise of Waterlog, a publication that started in the Nineties and ran for 100 issues.
Clearly running a fishing magazine is a difficult commercial proposition. This got me to wondering what the costs of producing one might be. The big cost is printing and posting (both of the above magazines are subscription with perhaps a few sold in one or two fishing shops). I looked at a few online printers and my local high street shop to get an idea of cost. Fly Culture is A4 size and has about 100 pages, many in colour; a run of 1000 copies would cost £2500 to £3000. Fallon’s Angler is smaller (a bit bigger than A5) with a bit less colour, which comes in at £2000 or less per 1000. Royal Mail will deliver a magazine like FC for about £1.40 a copy, Fallon’s for £1.10.
Payment to contributors is the other main outgoing. I hear that Fly Culture pays writers up to £50 per article. There are about 15 articles per issue, hence a cost of £750. There may be further payments for photographs, design, etc.; I have no information on these. Fallon’s Angler is more generous towards its contributors and may pay over £100 for an article. Let’s assume £1500 for content. This adds up to a basic cost to produce Fallon’s Angler and Fly Culture of £4600 and £5150 respectively, assuming the higher estimates for printing.
Fly Culture retails at £9, Fallon’s Angler for £8. Assuming that 1000 copies are sold — which I’ve heard Fly Culture manages, or better — that is a total income of £9000. I don’t think Fallon’s achieves an income £8000 but I don’t know its circulation. So we can estimate that the profit for FC is of the order of £4000 per issue, Fallon’s somewhat less. If any subeditors are paid, these figures might be lower. Given the fate of earlier magazines, a loss is obviously possible.
What about the quality? Fallon’s Angler is generally good, some of it very good, although some old fishing clichés do find their way into its pages. Fly Culture is better than I expected given that so many guides write for it. Fishing overseas is a common subject, which sits a little uncomfortably with the magazine’s environmental credentials. The American style of photography is popular with close-ups of fishes’ heads. Both magazines deserve to thrive but I wonder whether they will. Fly Culture is aimed at a more reliable market, which puts it in a better position: fly anglers generally read more and spend more. I have some anxiety over Fallon’s Angler. The latest issue has been long delayed and some earlier ones were overdue. Is this an indication of problems? I’m hearing that the magazine is now harder to contact, emails go unanswered, and payments to contributors are sometimes late. I hope this is not a bad sign. Even with the much lauded Chris Yates in its pages, many potential readers don’t seem to know about the magazine, or if they do prefer to read old CY articles from images on Fakebook. Along with so much else, fishing culture is dumbing down and angling magazines suffer for it. Let us hope these two flourish regardless.


